Estudio Guillermo

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	<title>Estudio Guillermo </title>
	<link>https://estudioguillermo.com</link>
	<description>Estudio Guillermo </description>
	<pubDate>Fri, 07 Apr 2023 21:20:38 +0000</pubDate>
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		<title>Han River Habitat (Main)</title>
				
		<link>https://estudioguillermo.com/Han-River-Habitat-Main</link>

		<pubDate>Fri, 07 Apr 2023 21:20:36 +0000</pubDate>

		<dc:creator>Estudio Guillermo </dc:creator>

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Han River Habitat


★ Picked to be exhibited in the
 primary exhibition 
at the 2023 Seoul Biennale

★


Pratt Institute
Professor: Mark Rakatansky
Team: Aura Wang, Alyssa CondeSpring 2023
Urban Planing
Rhino, Enscape, Photoshop, Indesign, Illustrator

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The Han River Habitat is a unique cohabitation environment centered around two core aspects: the living conditions of diverse species, and immersive Korean cultural experiences. Situated between the urban fabric in the south and the natural environment in the north, this habitat fosters a shared community where all species can thrive amidst the riverside's natural conditions and human-built structures. Visitors can engage in pottery making, food cultivation, and communal dining, experiencing the cultural influence of Korean pottery and cuisine. By promoting a slower pace of life through pedestrian and bicycle systems, along with sustainable transportation like light rail trains, the habitat aims to create a living-friendly environment with reduced vehicle traffic and pollution. It aspires to realize a future vision of harmonious co-living in Seoul, offering enriching Korean cultural encounters within the urban landscape.


The habitat's design prioritizes a balanced living environment for both human and non-human inhabitants, facilitating cross-species interactions and providing essential resources such as food, movement, and shelter. Wetlands offer nesting spaces and feeding grounds for birds like Magpies and black-headed gulls, along with shelter for catfish and endangered Eurasian Otters. Human residents, including workers, college students, and habitat practitioners, benefit from dedicated walking paths for exercise and recreation, providing a sanctuary away from the bustling city. Roads and metros are tunneled beneath the wetlands to minimize disruption to non-human species and reduce noise pollution. With construction materials like porous clay and rammed earth platforms, water movement is enabled, delivering vital river nutrients to the ecosystem and fostering native plant growth, aiding in erosion control and water filtration.


The habitat's sustainability extends to agricultural practices, featuring greenhouses that cultivate diverse plants, including vegetables, fruits, and grains. Clay collection zones allow residents to gather material from the Han River and participate in traditional and modern workshops, enriching their artistic and utilitarian knowledge across generations. The integrated living and production system culminates in vibrant places of exchange, including fish markets, produce markets, and food distribution centers, strategically located at intersections of production, habitation, and circulation zones, reinforcing the habitat's self-reliant and cross-responsive urban life approach. The Han River Habitat emerges as a model for an inclusive, sustainable, and harmonious urban ecosystem, embracing all species calling the Han River their home.


[en español]


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		<title>Monument to Indigenous New Yorkers</title>
				
		<link>https://estudioguillermo.com/Monument-to-Indigenous-New-Yorkers</link>

		<pubDate>Fri, 07 Apr 2023 21:20:36 +0000</pubDate>

		<dc:creator>Estudio Guillermo </dc:creator>

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	Monument to the Indegenous People of New York


Memory and Monument
Pratt Institute
Professor: Eric Moed
Fall 2022

Rhino, Enscape, Ilustrator, Photoshop
	
The Monument to the Indigenous Peoples of New York gives back a piece of the Manahatta soil to Indigenous communities. The monument consists of a cylindrical mass that is elevated from the ground up to create a new landscape on accessible to Indigenous people through a stairwell in the perimeter. This land is stripped of its concrete, pipings and treatments down to its original makeup and reconditioned to its indigenous state. The land will become a place for gathering and refuge for indigenous communities. A place to tell stories, plant crops or gather for events.


[en español]


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		<title>Tribal Exhibition ES</title>
				
		<link>https://estudioguillermo.com/Tribal-Exhibition-ES</link>

		<pubDate>Fri, 07 Apr 2023 21:20:37 +0000</pubDate>

		<dc:creator>Estudio Guillermo </dc:creator>

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	Exposición Baile Tribal (3Ball)

Primavera 2023

Profesor Michael Morris


Diseño de Exposición


Rhino, Indesign, Photoshop, Illustrator
	Esta exposición tiene como objetivo mostrar la evolución de la danza Trival a medida que viajó por México y respondió a la cultura machista tradicional mexicana mostrando sus extravagantes botas puntiagudas y fusiones musicales de sonidos contemporáneos e indígenas. Su evolución representa
un intento de aligerar la presión que la cultura machista tradicional mexicana tiene sobre su juventud.


El baile se originó como una fusión de cumbia, ritmos afrocubanos y música house electrónica alrededor del año 2000 en las calles de la Ciudad de México antes de aparecer en clubes nocturnos en la ciudad norteña de Monterrey alrededor del año 2008. Esto permitió que el baile formara una fusión crucial.

con la cultura vaquera en el norte y grupos de jóvenes bailarines masculinos comenzaron a formar grupos de baile y armar rutinas para bailes de rodeo.
El elemento básico tradicional de la moda vaquera, la bota vaquera, vio su piel de cuero por excelencia cubierta con pedrería de colores.
diseños y su punto extendido para ser cada vez más largo y más llamativo que otros grupos, como
compitieron por la atención en los rodeos de todo el país.

Debido a la naturaleza satírica de la danza y sus modas, desde entonces ha llamado la atención de instituciones culturales de todo el mundo y ahora ha llegado a la cultura del rodeo en partes de los EE. UU.
también.
[in english]


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images captured by 
Alex Troesch


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		<title>About</title>
				
		<link>https://estudioguillermo.com/About</link>

		<pubDate>Fri, 07 Apr 2023 21:20:38 +0000</pubDate>

		<dc:creator>Estudio Guillermo </dc:creator>

		<guid isPermaLink="true">https://estudioguillermo.com/About</guid>

		<description>
	
About

&#38;nbsp; &#38;nbsp;&#60;img width="3300" height="2550" width_o="3300" height_o="2550" data-src="https://freight.cargo.site/t/original/i/01f267812fc7b8a61fa46041760f458941452875d0d4c54d7c7d3113e4dbe1c0/sarape.png" data-mid="185985282" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/01f267812fc7b8a61fa46041760f458941452875d0d4c54d7c7d3113e4dbe1c0/sarape.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;click sarape for resume ︎


[in english
]


Born in Monterrey, Mexico, and raised in Saltillo, Guillermo grew up around a family muralists and sculptors before immigrating to San Antonio, Texas where they worked as a Saltillo tile installer while exploring architecture at San Antonio Community College. They continued into Pratt Institute's Bachelor of Architecture program in 2019, where they experienced a broadening of their perspective on global architecture, rediscovered and celebrated their Mexican identity. They faced isolation due to a lack of representation but found solace and support through the student-led chapter of NOMAS, now taking on the role of President to continuie building a strong community for minority architecture students and foster career connections. Their experience at Pratt fueled ambition for their future as a Latino designer, proud of their heritage and upbringing.&#38;nbsp;


[en español]


Nacido en Monterrey, México, y criado en Saltillo, Guillermo creció en torno a una familia de muralistas y escultores antes de emigrar a San Antonio, Texas, donde trabajaron como instaladores de piso Saltillo mientras exploraba la arquitectura en San Antonio Community College. El continuó con el programa de Licenciatura en Arquitectura de Pratt Institute en el 2019, donde experimentó

 una ampliación de su perspectiva sobre la arquitectura global, redescubrió

 y celebró

 su identidad mexicana. Se enfrentó

 al aislamiento debido a la falta de representación, pero encontró

 consuelo y apoyo a través del capítulo dirigido por estudiantes de NOMAS, que ahora asume el papel de Presidente para continuar construyendo una comunidad sólida para estudiantes de arquitectura de minorías y fomentar conexiones profesionales. Su experiencia en Pratt alimentó la ambición por su futuro como diseñador latino, orgulloso de su herencia y educación.

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